This is me on the "Millionaire" set.  The show was taped on Wednesday, February 25, 2004, and shown on TV the next evening.

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Who Wants to Be a Millionaire? I Do!

by David Fleitz

I became a fan of the prime-time game show “Who Wants to Be a Millionaire” when it began four years ago. Last month I heard that the show was seeking new contestants via a phone quiz.  I called one Thursday evening and answered the questions correctly. The show’s web site explained that 10 contestants per show were needed for five new “Super Millionaire” shows, and the producers expected more than 250,000 people per day to call the phone quiz during the nine days that the lines were open.  Approximately 4% of those callers qualified, as did I, which placed me in a pool with at least 90,000 others vying for 50 available slots on the program.

On the following Monday morning I took my car to the shop for repairs, and when the phone rang in my office at 9 a.m., I assumed the auto repairman was on the line.  To my surprise, it was “Super Millionaire” instead, and a production assistant informed me that they wanted to fly me to New York, all expenses paid, the next morning for a taping on Wednesday.  I was so stunned that I thought for a moment about turning down the offer.  I had recently started a new job and had no vacation days accrued, but after I pondered the matter, I decided to accept.  I did not know how my company would react to the news, but my immediate boss was excited and cleared the way for me to take three days off.

I then called my wife Deborah at work, which is something I only do in the case of an emergency.  She was so thrilled with the news that she immediately started planning my Phone-a-Friend lifelines.  Each contestant on the show is allowed to designate up to five people as Phone-a-Friends, available to help answer a question by phone from the set.  We spent the evening packing and calling experts that we knew among our friends, family, and colleagues, lining up the Phone-a-Friends.

At 6:30 the next morning, I boarded a plane to New York.

A car picked me up at LaGuardia and deposited me at the Lucerne Hotel at 79th and Amsterdam, only three blocks from where Deborah lived in Manhattan for nearly 20 years.  It was 9 a.m., and I was free until 8 p.m., when all ten contestants would meet for instructions.  I don’t know why I had to be there so early, but they probably wanted to leave extra time in case of missed flights, heavy traffic, and the like.  The desk clerk delivered a packet of forms from the show, which I read, and I signed all the releases.

However, I faced the problem of filling 11 hours alone in New York.  I walked up and down Broadway, ate lunch at the pizza place in Deborah’s old neighborhood, and read both the Post and the Times.  In the afternoon I visited the local branch library and made notes on the human skeleton, Shakespeare’s plays, and Greek mythology, but it was a pointless exercise; if I wasn’t up to speed on these topics by now, no amount of unfocused cramming could help.  I called home, where Deborah had firmed up my Phone-a-Friend lifelines and obtained the required phone numbers.  I was the only contestant without a friend or spouse present, but Deborah was far more valuable at home as a lifeline for music and art questions.  I ate dinner at a Cuban restaurant with our friend Julio, my jazz music and computer lifeline, and afterwards I returned to the hotel to read the World Almanac and wait for the meeting.

That evening the 10 contestants met with the production staff, who told us where we would go and what was expected of us the following day.  We displayed two changes of clothes to the staff, and they selected what we would wear on the show.  No vertical stripes, all-black ensembles, or commercial logos were permitted.  They checked driver’s licenses, Social Security cards, and passports for identification purposes, and instructed us to be in the lobby of the hotel at noon the next day, when a bus would take us to the studio for the 10-hour preparation and filming of the show.  We signed a few more forms and received our $150 spending money, $50 per day for three days in New York.

The bus arrived promptly at noon on Wednesday, and as we drove through the streets of Manhattan, staffers informed us that we were now in “contestant isolation.”  We could not communicate with the outside world.  No cell phones, computers, pagers, or the like.  “If you see a long-lost friend coming down the street as we walk into the building, don’t say hello to him,” the staff told us.  So, when the bus parked at the ABC studios, I couldn’t resist, and called out, “Hey, look!  There’s an old friend of mine!”

We were assigned dressing rooms, three contestants per space.  There were seven female and three male contestants, and I could tell that it was a formidable group.  Two of the women were married to men who had appeared on the show and won money; one husband won $125,000 and the other $64,000 in earlier shows, so they were already familiar with the process.  Another woman was a near-professional game show contestant who had been on three other shows in the previous few years.  The smartest and most poised contestant was Michael Koehn, a lawyer from Wisconsin, and I hoped he would win the Fastest Finger round quickly and clear the field for me.

The studio put out a great spread, with wrapped sandwiches, mounds of fruit and cheeses, and a refrigerator full of soda and bottled water.  There were cups of yogurt, trays of cookies, candy bars, and cereal and milk.  We ate, had a preliminary makeup job, and gathered for a legal briefing.  The lawyer walked us through the agreements that we had signed, explaining how the prize money would be paid.  We also agreed, under penalty of losing our winnings, to keep silent about the outcome of the show in the 24 hours between the taping and the broadcast.  If I won a lot of money, I couldn’t even tell my wife for one day.  Your winnings are held for 30 days after the broadcast, so the rules must be followed.

When the attorney left, a member of the production staff pre-interviewed each contestant.  They identified four “talking points” for the host, Regis Philbin, to discuss with anyone who gets into the hot seat.  I told them that I had seen the French version of the show, that my wife would get half of my winnings, that we had met while doing community theater, and a few other tidbits that I hoped would be interesting.  Regis keeps all 10 cards with him during the broadcast, along with a pre-printed $10 million check for each contestant.

Michael Davies, the British producer of the show, then talked to us for the next 45 minutes about what he expected.  He wanted us to be outgoing, but not in a negative way, and cautioned us against swearing, losing our tempers, and any type of misbehavior on the set.  The contracts that we signed stipulated that anyone could be expelled from the game for rude behavior, though the show has never taken that drastic step.

He discussed the strategy involved in playing the game.  For instance, the Audience Poll lifeline was best used early on for pop-culture or general knowledge questions, while the 50-50 (which eliminates two of the four possible answers) should be kept as long as possible.  If you keep the 50-50 until the “Next Dimension” round that kicks in when the contestant reaches $100,000, you can always get the next question with no effort (by using the 50-50 and then the Double Dip, which allows you to make two guesses).  He sounded like he wanted someone to win big money.  I have often wondered if game show producers try to make things difficult so they don’t have to pay out lots of winnings, but that didn’t seem to be the case here.  The staff of “Super Millionaire” acted like they would be thrilled if somebody won the top prize. 

Some followers of the show believe that the producers instruct the contestants to talk out loud and stretch the process out while they consider an answer.  Mr. Davies never said that, but he told us that many people miss questions because they hurry and don’t take enough time to ponder them.  However, he warned us not to take too much time, because one early contestant wasted 45 minutes on a single question.  After five minutes, he said, he would give a signal to move along, and would, if necessary, stop the tape and tell the contestant directly to speed it up.

The producer furnished us with a signal to use in the hot seat if we were confused about anything.  If we did not understand a question, or could not figure out how a lifeline worked, we were instructed to look up and say, “I am confused.”  The word “confused” was the key to stop the tape and deal with the problem.  He told us that, if we want to use a Phone a Friend lifeline, to say “I want to call my sister Cheryl,” and not “I want to call my sister Cheryl N----- who lives in Maumee, Ohio,” because we don’t want our friends and family to get calls from wackos and stalkers.

We were told to go by the information on the screen, not by what host Regis Philbin says, as Regis has never seen the question and he may mispronounce words.  Regis has not been given the answers and has no input into the selection of questions.  It is the host’s job to make entertaining banter, but it is the contestant’s responsibility to say “Final answer” or merely “Final” to lock in an answer.

Mr. Davies then escorted us to the set, where we practiced the Fastest Finger round five times.  The console has a screen and four square buttons, labeled A, B, C, and D.  A question appears on the screen, you press the four buttons in the right order, and then hit a small green button to send the answer to the computer.  Some of the other contestants, more familiar than I with the apparatus, had been practicing for months, and looked like they could play those five buttons like the keys of a piano.  I got the practice questions right, but my times were in the five to seven second range.  I realized that I had to discern the right answer and enter it in less than four seconds if possible.

By now it was 4:30, so we went to the cafeteria to eat dinner and meet the holdover contestant, Clinton Smith, a young man from Cincinnati.  After dinner, we changed clothes, received our final makeup job, and filmed promos for our local stations.  I looked at the camera and said, “I’m David Fleitz.  Watch me on ‘Super Millionaire’ tonight at 10 on 13-ABC.”  I also answered a question about what I would do with 10 million dollars.  I told the camera that we would go to Europe and Deborah and I would get a dog, not necessarily in that order.  Both of those promos were shown Thursday night on the Toledo ABC affiliate.

At 6:40 we returned to the set, took our seats for the taping, and saw Regis for the first time.  He’s a few inches shorter than me, and very fit and thin for a man of 70 or so.  He went around the circle and greeted us all, wished us luck, and complimented me because everyone else called him “Reege” and I addressed him as “Mr. Philbin.”  “You’re a very polite young man, aren’t you?” he said.

I sat in seat number 8, in the middle of the group on Regis’ side of the set.  The spotlights race around everywhere, but there is no music, because the sound is dubbed in later.  There are two strategically placed prompter screens for Regis, and everything he says, except for his friendly chatter with the contestant in the hot seat, is scripted and appears on the prompter.  To ensure that each Fastest Finger round is played fairly, a producer goes down the line afterward and asks each player if they accept the result.  If your screen does not work, or your enter key does not record your answer, this is the time to say so.

The audience was already in place, and a comedian pumped up the crowd by telling jokes, tossing T-shirts and hats into the stands, and passing out candy.  Finally, the show began as Regis stood at a tape mark on the floor, looked directly into one of the two prompter screens, and introduced Clinton Smith. 

Clinton folded at $50,000, and it was time for the first Fastest Finger question.  I answered it correctly, but it didn’t count, because a computer glitch prevented three of the ten consoles from recording the answers.  After a 15-minute break, they asked another question, and Jonathan Criswell, an investment banker from Newark, Delaware, won his way into the hot seat.  There is a 20-minute delay after someone wins the Fastest Finger round, because the staff calls all of the Phone-a-Friend lifelines to make sure that they are available, and briefs Regis about the contestant’s background and the pronunciation of his or her name and hometown.  Teams of makeup artists scurry around the set and touch up everyone’s face at every break in the taping.

One of Jonathan’s questions concerned the final three words of Martin Luther King’s “I Have a Dream” speech.  He used the 50-50 to leave two answers, and then had to decide between “Let freedom ring” and “Free at last.” He said he thought it was “Let freedom ring” but the audience gasped, and he quickly changed it to “Free at last” and said “Final answer.”  He was right, but at the next break the producer came onto the set and ordered the audience not to audibly influence the contestants.

The next Fastest Finger concerned Academy Award-winning actresses, which I got right, but Jessica McCartney, a 21-year-old from Dallas, answered it in less than four seconds and earned the hot seat.  She left with $5,000 after blowing a $30,000 question about what makes a Mexican jumping bean jump (it was a moth, not a flea).  Then came the fourth Fastest Finger, which required that we put four magazines (Wired, Sassy, Self, and Teen People) in order of their market introduction.  No one answered correctly, and that failure was edited out of the show.  Regis, for some reason, looked at me and said, “I thought you would get that right!”

Now came my last chance, because only five Fastest Finger questions are prepared per show.  The question was, “Put these world leaders in order of their birth, starting with the most recent.”  The leaders were Tony Blair, Vladimir Lenin, Golda Meir, and Nelson Mandela. 

I got it right in 4.75 seconds.

Michael Koehn, the lawyer, got it in 4.69.  He beat me out of the hot seat by six one-hundredths of a second.  I knew he was the sharpest one there.

I watched Michael get to the Next Dimension round, and his $500,000 question concerned the age of life on earth.  He asked the Three Wise Men, a panel of experts, for their help, and they told him that life on earth began 500 million years ago.  I knew they were wrong, but Michael accepted their answer and lost, though he left the show with $100,000. 

I wanted them to ask another Fastest Finger question, but it would have been rushed, and all five of the prepared questions had been used.  The show ended at that point, and after 3 hours and 10 minutes in the chair, the game was over.  We stayed for a few more minutes as Regis re-recorded two pieces of dialogue with Jonathan and Michael, and then the taping ended.

Regis was a gentleman throughout the taping.  The evening was full of technical glitches, computer problems, and other annoyances, but he never complained or acted like a prima donna.  He spoke to the audience, joked with the staff, and generally made the evening a pleasant one for all concerned.  He apologized to the seven of us who missed the hot seat, and I thanked him for having me on the show.  Backstage, the production people gave us our $10 million checks as souvenirs.

The staff provided a ride back to the hotel, and I called Deborah to tell her the outcome.  My flight was not due to leave LaGuardia until 8 p.m. the next evening, so I spent another day in New York. I window-shopped along Seventh Avenue, wandered through Central Park, and generally stewed about that .06 seconds that came between me and the hot seat. It was an unforgettable experience, however, and when I returned home I framed that souvenir check and hung it on the wall in my office. When “Super Millionaire” returns to ABC in May, I’ll give it my best shot to get on the show again.